bibliografias


geral

Achard, Guy. La comunication à Rome. Paris: Payot. 1994.

Achcar, F. Lírica e lugar comum. Alguns temas de Horácio e sua presença em Português. São Paulo: Edusp, 1994.

Anderson, Maxwell L. et Nista, Leila. Roman Portraits in Context. Imperial and Private Likeness from the Museo Nazionale Romano. Roma: De Luca Edizioni d'Arte. 1988.

Ariès, P. et Duby, G. História da Vida Privada. vol. I. Do Império Romano ao Ano Mil. Organização: Paul Veyne. Tradução: Hildegard Feist. São Paulo:Companhia das Letras, 2007.

Armella, Virginia Aspe.El concepto de Técnica, Arte y Producción en la Filosofía de Aristóteles. Mexico: Fondo de Cultura Económica. 1993.

Austin, R. G. "Quintilian on Painting and Statuary". In: CQ, 38,1/2.1994. pp. 17-26.

Badel, Christophe et Loriot, Xavier (dir.).Sources D'Histoire Romaine. Paris: Larousse.1993.

Bandinelli, Ranuccio Bianchi. Roma. L'arte romana nel centro del potere. Milano: BURarte. 1988.

____________________________. Roma. La Fine dell'arte antica. Milano: BURarte. 1988.

Bann, Stephen.As Invenções da História. Ensaios sobre a representação do Passado. Trad.: Flávia Villas-Boas. 1994. São Paulo: Ed. Da Unesp. pp. 51 - 86.

Baratte, François.L'art Romain. Paris: Flamarion. 1996.

Barbon, H. "Le concept de similitude à Rome". In: ANRW, I.2. 1972. pp. 857-868

Bieber, M. "The development of Portraiture on Roman Republican Coins". In: ANRW, I.4. 1974. pp. 871-898 e I.4a. pp. 207-215.

Bottini, Angelo et alii. Bronzi Greci e Romnani dalle Collezioni Del Museo Archeologico Nazionale di Firenzi. Guida alla mostra. Firenzi: Ed. Polistampa. [s.d.]

Breckenridge, J.D. "Origins of Roman Republican Portraiture: Relations with the Hellenistic World." In: ANRW, I.4 .1974. pp. 826-854 e I.4a, pp.173-187.

_________________ "Roman Imperial Portraiture from Augustus to Gallienus". In: ANRW, II.12.2. 1981. pp. 477-512.

Campos, Redig de. Architecture, Peinture, Sculpture du Vatican. Amsterdam: Royal Smeets Offset. 1981.

Caprettini, Gian Paolo. "Imagem". In: Enciclopédia Einaudi vol. 31. Signo. Lisboa: Imprensa Nacional - Casa da Moeda.1994. pp. 177 - 199.

Childs, William A. P. "The Classic as Realism in Greek Art". In: Art Journal, 47,1, The Problem of Classicism: Ideology and Power.1988. pp.10-14.

Cizek, Eugen. Mentalités et Institutions Politiques Romaines. Paris: Fayard. 1990.

Clayton, Peter.Treasures of Ancient Rome. Twickenham: Tiger Books. 1997.

Collins, J.H. "Caesar as political propagandist". In: ANRW, I.1. 1972. pp. 922-966.

Conte, Gian Biagio. The Rhetoric of Imitation. Genre and Poetic Memory in Virgil and other latin poets. Transl: Charles Segal. Ithaca: Cornell University Press. 1996.

Demand, N. "Plato and the Painters. In: Phoenix, Vol. 29, nº 1. (Spring, 1975), pp. 1-20.

Dominik, William J.Roman eloquence. London: Routledge. 1997.

Dontas, Jeorge. La Acropolis y su museo. Atenas: Ediciones Clio. 1996.

Dupont, Florence et Auvray-Assayas, Clara. Images Romaines. Actes de la tabe ronde organisée à l'École Normale Supérieure. Paris: Presses de l'École Normale Supérieure. 1998.

Ellis, Henry. The British Museum. The Townley Gallery. vol. II. London. 1836.

Fontein, Jan (Dir.). Pompeii AD 79. Treasures from the National Archaeological Museum of Naples and The Pompeii Antiquarium. Boston: Museum of Fine Arts. 1978.

Foucault, Michel. Microfísica do Poder. Trad.:Roberto Machado. Rio de Janeiro: Graal. 1996.

Fowler, Barbara Hughes.The Hellenisc Aesthetic. Bristol: The Bristol Press. 1989.

Francastel, Pierre. A Realidade Figurativa. Trad.: Mary Amazonas Leite de Barros. São Paulo: Perspectiva. 2ª ed. 1993. pp. 1 - 119.

Freely, John. Classical Turkey. London: Penguin Books. 1990.

Friedlaender, Ludwig. La Sociedad Romana. Mexico: Fondo de Cultura Económica. 1984.

Galinsky, Karl. Augustan Culture. New Jersey: Princeton University Press. 1998.

Gaskell, Ivan. "História das Imagens". In: Burke, Peter (org.). A Escrita da História. Novas Perspectivas. Trad.: Magda Lopes. São Paulo, Editora da Unesp. 2ª reimpressão. 1992. pp. 237 - 271.

Giard, J.-B. Catalogue des monnaies de L'Empire Roman. I Auguste. Paris: Bibliothéque Nationale. 1988.

Giardina, Andrea (dir.).O Homem Romano. Trad.: Maria Jorge Vilar de Figueiredo. Lisboa: Editorial Presença. 1992.

Ginzburg, Carlo. Olhos de Madeira. Trad.: Eduardo Brandão. São Paulo: Cia. Das Letras. 2001.

_______________. Relações de Força. Trad.: Jônatas Batista Neto. São Paulo: Cia. Das Letras. 2002. pp. 47 - 63.

Goldscheider, Ludwig et Schider-Lengyel. Roman Portraits. London: Phaidon Press. 2004.

Gombrich, E. H. The uses of Images. Studies in the social function of art and visual comunication. London: Phaidon Press. 2000.

_______________ A História da Arte. Trad.: Álvaro Cabral. Rio de Janeiro: LTC Editora. 16ª ed. 1995.

_______________ Meditações sobre um cavalinho de pau. Trad.: Geraldo Gerson de Souza. São Paulo: Edusp. 1999.

Grant, Michael. História de Roma. Tradução: Waltensir Dutra. Rio de Janeiro. Editora Civilização Brasileira, 1978.

Grimal, Pierre. A Civilização Romana. Tradução: Isabel St. Aubyn. Lisboa. Editora Edições 70, 1984.

______________(org.). La Formación del imperio romano. Mexico: Siglo Veintiuno Editores. 1984.

Grube, G.M.A. The greek and roman critics. Indianapolis/Cambridge: Hackett Plublishing. 1995.

Habinek, Thomas N. The Politics of Latin Literature. Writing, Identity, and Empire in Ancient Rome. New Jersey: Princeton University Press. 1998.

Haight, E. H. "Horace on Art: Ut Pictura Poesis". In: CJ,47,5.1952. pp. 157-162+201-202.

Hansen, João Adolfo. Alegoria. São Paulo: Atual. 1986.

Henig, Martin (ed.). A Handbook of Roman Art. A survey of the visual arts of the Roman World. London: Phaidon Press. 1995.

Hibbard, Howard. The Metropolitan Museum of Art. New York: Harrison House. 1980.

Hiesinger, U.W. "Portraiture in the Roman Republic". In: ANRW, I.4.1974. pp. 805-825 e I.4a, pp.159-171.

Hobsbawm, Eric. Sobre História. Trad.: Cidi Knippel Moreira. São Paulo: Cia. Das Letras. 1998. pp. 22 - 35.

Huzar, G. E. "Augustus, heir of the Ptolemies". In: ANRW, II.10.1. 1988. pp. 343-382.

Keus, E.. "Plato on Painting". In: AJPh95,2. 1974. pp. 100-127.

Kleiner, D. E. E. Roman Sculpture. New Haven and London: Yale University Press, 1992.

Koeppel, G. "The Grand Pictorial Tradition of Roman Historical Representation during the Early Empire." In: ANRW, II.12.1 .1982. pp. 507-535.

Lausberg, H. Manual de Retórica Literaria. Tomo I y II. Fundamentos de una ciencia de la literatura. Version Espanõla de José Pérez Riesco. Biblioteca Románica Hispánica. Madrid: Editorial Gredos, 1999.

____________ Elementos de Retórica Literaria. Trad.: R. M. Rosado Fernandes. Lisboa: Fund. Caloust Gulbenkian, 1966, vol.1, 2.

Le Goff, Jacques. "História". In: História e Memória. Trad. Bernardo Leitão et alii. Campinas: Ed. Da Unicamp. 4ª ed. .1996. pp.17 - 165.

________________."Documento/Monumento". In: História e Memória. Trad. Bernardo Leitão et alii. Campinas: Ed. Da Unicamp. 4ª ed. .1996. pp. 535 - 553.

Lessing, G.E. Laocoonte ou sobre as fronteiras da pintura e da poesia. Trad.: de Márcio Seligmann-Silva. São Paulo: Iluminuras. 1998.

Levy, C. et Pernot, L. Dire L'Évidence. Paris: L'Harmattan. 1997.

MacMullen, Ramsay. "Personal Power in the Roman Empire". In: AJPh, 1986.

_________________. La Romanisation à l'époque d'Auguste. Trad.: Franz Regnot. Paris: Les Belles Lettres. 2003.

Maguire,Henry. "Truth and Convention in Byzantine Descriptions of Works of Art". In: Dumbarton Oaks Papers, 28. 1974. pp. 111+113-140.

Martins, P. "Tropos na Eneida e uma imagem metafórica". In: Martinho dos Santos, Marcos (org.) - 1º Simpósio de Estudos Clássicos. São Paulo: Humanitas. 2006. pp. 91-118.

__________"Polignoto, Páuson, Dionísio e Zêuxis - Uma leitura da pintura antiga clássica grega". 2008. [Texto inédito].

Memes, L.L.D. History of Sculpture, Painting and Architecture. Boston. 1834.

Millar, Fergus (org.). El imperio romano y sus pueblos limítrofes. Mexico: Siglo Veintiuno Editores. 1984.

Mollett, J.W. Dictionary of Art and Archaeology. London: Bracken Books. 1996.

Paine, Robert Troup. Description des Antiques du Musée Royal. Paris. 1820.

Panetta, Marisa Ranieri. Pompeii. The History, Life and Art of the buried city. Vercelli: White Star. [s.d.].

Panofsky, Erwin. La renaissance et ses avant-courriers dans l'art d'occident. Trad.: Laure Meyer. Paris: Flamarion. 1993.

__________________.Significado nas Artes Visuais. Trad.: Maria Clara F. Kneese e J. Guinsburg. São Paulo: Perspectiva. 3ª ed. 1991. pp. 19 - 148.

Pasquier, Alain. The Louvre. Greek, Etruscan and Roman Antiquities. Paris: Editions Scala. 1998.

Pollitt, J.J. The Art of Rome. Sources and Documents. Cambridge: Cambridge University Press.2001

Ramage,Nancy H. et Ramage, Andrew.L'art Romain. Trad.: Dennis Collins. Cologne: Könemann Verlagsgellschaft. 1999.

Razeto, Francesco et Marini, Marino. Musee Arqueologique de Florence. Firenze: Editions Giusti. 1985.

Reboul, Olivier. Introdução à Retórica. Trad.:Ivone Benedetti. São Paulo: Martins Fontes. 1998.

Reid, Juliette. Auguste vu par lui-même et par les autres. Université de Neuchâtel. Faculté des lettres et sciences humaines.INSTITUT DES SCIENCES DE L’ANTIQUITE. 2005.

Richter, G.M.A. et Breckenridge, J.D. "The Relation of Early Imperial Rome to Greek Art". In: ANRW, II.12.1. 1982. pp. 3-23.

Saleh, Mohmed (dir.).Fayoum's Portraits. Cairo: Egyptan Museum. 1997.

Salles, Catherine. L'Antiquité Romaine. Paris: Larousse. 2000.

Schimitt, J.-C. "La culture de l'imago". In: Revue des Annales, 1996.

Seipel, Wilfried (org.).Kunsthistorisches Museum Viena Guide no. 37. Wien: Verlag Christian Brandstätter. 1988.

Shotter, David. Augustus Caesar. London: Routledge. 1991.

Trimpi, W. "Horace's Ut pictura poesis: The argument for stylistic decorum". In: Traditio. Nova York: Fordham University Press. 1978, vol.34, pp. 29-73.

_________"The early metaphorical uses of skiagraphia and skenographia". In: Traditio. Nova York: Fordham University Press. 1978, vol.34, pp. 404-13.

Turcan, Robert. L'Art Romain Dans L'Histoire. Paris: Flamarion. 1995.

Veyne, Paul. Como se escreve a história e Foucault revoluciona a história. Trad.: Alda Baltar e Maria Auxiliadora Kneipp. Brasília: Ed. UnB. 4ª ed. . 1998.

Waagen, Dr. Galleries and Cabinets of Arts in Great Britain. London. 1857.

Walker, Jeffrey. Rhetoric and Poetics in Antiquity. Oxford: Oxford University Press. 2000.

Walker, Susan. Roman Art. Cambridge: Harvard University Press and British Museum. 1991.

Watson, G. "The Concept of 'Phantasia' from the Late Hellenistic Period to Early Neoplatonism". In: Rise and Decline of the Roman World. Berlin/New York: Walter de Gruyter. 1994. Parte II, pp.4765-4810.

White, Hayden. Trópicos do discurso. Ensaios sobre a Crítica da Cultura. Trad.: Alípio Correia de Franca Neto. São Paulo: Edusp. 1994. pp. 97 - 151.

Woodford, Susan. Indrodución a la Historia Del Arte. Grecia y Roma. Barcelona: Editorial Gustavo Gili. 1985.

Yavetz, Zvi. Cesar et son Image. Des limites du charisme en politique. Trad.: Elie Barnavi. Paris: Les Belles Lettres. 1990.

Zanker, Paul.The Power of Images in the Age of Augustus. Transl.: Alan Shapiro. Ann Harbor: The University of Michigan Press. 1988.

Zuffi, Stefano.Art Book. La antigua Roma. La Construcción de un mito, desde Augusto a Justiniano. Trad.: Juan Pablo Diaz Chorne. Madrid: Electa. 2000.


ékphrasis

Becker, A. S. "Reading Poetry through a Distant Lens: Ecphrasis, Ancient Greek Rhetoricians, and the Pseudo-Hesiodic 'Shield of Heracles' ". In: The American Journal of Philology. 1992, vol.113.

Benedikstson, D. T. "Phantasia". In: Literature and the visual arts in Ancient Greece and Rome. Universe of Oklahoma Press: 2000.

Breed, Brian W."Portrait of a Lady: Propertius 1.3 and Ecphrasis".In: CJ,99,1. pp.35-56.

Casali, Sergio. "Aeneas and the Doors of the Temple of Apollo". In: CJ, 91,1. 1995. pp. 1-9.

Faber, Riemer. "Vergil Eclogue 3.37, Theocritus 1 and Hellenistic Ekphrasis". In: AJPh.116,3.1995. pp. 411-417.

Fowler, D. P. "Narrate and Describe: The Problem of Ekphrasis". In: The Journal of Roman Studies. 1991, vol.81, pp.25-35.

Hansen, J. A. "As categorias epidíticas da ekphrasis". In: Revista USP. 2006 n°71.

Heffernan,James A. W. "Ekphrasis and Representation". In: New Literary History, 22,2, Probings: Art, Criticism, Genre.1991.pp. 297-316.

Hardie, P. "Imago Mundi: Cosmological and ideological aspects of the shield of Achiles". In: JHS, 105. pp. 11-31.

Laird, A. "Sounding out ecphrasis: Art and Text in Cattulus 64". In: JRS, 83. 1993. pp. 18-30.

Lynch, J. P. "Laocoon and Simon: Virgil Aeneid' 2, 40-198". In: G&R, 27,2. 1980.pp.170-9.

Martinho, M. dos Santos. "O monstrum da Arte Poética de Horácio". In: Letras Clássicas, 2000, nº4, pp.191-265.

Martins, P. "Enéias se reconhece". In: Letras Clássicas. São Paulo: Humanitas, 2005.

McMahon, A. Philip. "Sextus Empiricus and the Arts". In: HSCPh, 42. 1931. pp.79-137.

Pineda, Victoria. "La invencón de la écfrasis". In: Universidad de Extremadura. P.251-62.

Putnam, Michael C. J. "Dido's Murals and Virgilian Ekphrasis". In: HSCPh,98. 1998. pp. 243-275.

____________________. "Ganymede and Virgilian Ekphrasis". AJPh, 116,3. 1995. pp.419-40.

Taplin, O. "The Shield of Achilles within the 'Iliad'". In: Greece & Rome.1980, vol.27, pp.1-21.

Thomas,Richard F. "Virgil's Ecphrastic Centerpieces". HSCPh, 87. 1983. pp. 175-184.

Walker, Andrew D."Enargeia and the Spectator in Greek Historiography".In: Transactions of the American Philological Association (1974-), Vol. 123 (1993), pp. 353- 377

Williams, R.D. "The Pictures on Dido's Temple (Aeneid I. 450-93)". In: CQ, 10, 2. 1960.pp. 145-51.

Yacobi,Tamar. "Pictorial Models and Narrative Ekphrasis". In: Poetics Today,16,4. 1995. pp. 599-649.

Zanker, G. "Aristotle's 'Poetics' and the Painters". In:The American Journal of Philology, Vol. 121. n.º 2. (Summer, 2000), pp. 225-235.


tito-lívio: aníbal

Allen, A. W. "Livy as Literature". Classical Philology, Vol. 51, No. 4 (Oct., 1956),p. 251-254.

Bickerman, Elias J. "Hannibal's Covenant". In: AJPh, 73, 1. 1952.pp. 1-23.

Canter, H.V. "The Character of Hannibal". In: CJ,24,8. pp. 564-77.

Charles, M. B. et Rhodan, Peter. "Magister Elephantorum: A Reappraisal Of Hannibal's Use Of Elephants".In: Classical Association Of The Atlantic States E. ADELAIDE HAHN ROME/ATHENS SCHOLARSHIP.[s.d.]. pp. 363-89.

Dubel, S. "Ekphrasis et enargeia: la description antique comme parcours" In: Lévy, C.; Pernot, L. Dire L'Évidence. Cahiers de philosophie de l'Université de Paris XII- Val de Marne número 2. L'Harmattan, 1997.

Erskine, Andrew. "Hannibal and the Freedom of the Italians". In: Hermes, 121, 1. 1993. pp.58-62.

Freshfield, Douglas W. "More Talk about Hannibal". In: The Geographical Journal, 64, 6. 1924.pp.500-4.

Gill, Christopher. "The Question of Character-Development: Plutarch and Tacitus". In: CQ, 33, 2. 1983. pp. 469-87.

Gilmartin, Kristine. "A Rhetorical Figure in Latin Historical Style: The Imaginary Second Person Singular". In: TAPhA, 105. 1975.pp. 99-121.

Hadas, Moses."Livy as Scripture".In; AJPh, 61,4. 1990. pp. 445-56.

Hoyos, B. D."Hannibal: What Kind of Genius?". In: G&R, 30,2. 1983. pp. 171-80.

Jaeger, Mary. "Livy, Hannibal’s Monument, and the Temple of Juno at Croton". In: TAPhA, 136. 2006. pp. 389-414.

Lancel, S. Hannibal. Translated by Antonia Nevill. Oxford; Malden, Mass: Blackwell, 1999.

Luce, T. J. Livy. The composition of His History. Princeton: Princeton University Press, c1977.

McDonald, A. H. "The style of Livy". The Journal of Roman Studies, Vol. 47, No. 1/2 (1957), pp. 155-172.

Ogilvie, R. M. "Livy". In: The Cambridge History of Classical Literature. Vol II, The Age of Augustus. Cambridge: University Press, 2000.

Pomeroy, Arthur J. "Hannibal at Nuceria". In: HZAG,38,2. 1989. pp.162-76.

Poteat, Hubert McNeill. "Hannibal Trismegistus". In: CJ, 22,3. 1926. pp. 189-201.

Ross, Jr., David O. "Hannibal's Spanish Flocks? (Livy 21. 43. 8).In: CJ, 72, 4. 1977. p.315.

Rossi, A. "Parallel Lives: Hannibal and Scipio in Livy's Third Decade". Transactions of the American Philological Association, 134 (2004), pp. 359-381.

Spaeth, Jr., John W. "Hannibal and Napoleon". In: CJ, 24,4. 1929. pp. 291-3.

Taine, H. Ensayo sobre Tito Livio. Buenos Aires: Editora y Distribuidora del Plata, 1948.

Torr, Cecil. "More Talk about Hannibal". In: The Geographical Journal, 64,5. 1924. pp. 428-31.


tito-lívio: canas

Davis, E. W. "Hannibal's Roman Campaign of 211 B. C.". In: Phoenix, 13,3. 1959. pp.113-20.

Fitton Brown, A.D. "After Cannae". In: HZAG, 8,3.1959. 365-71.

Sabin, Philip. "The Face of Roman Battle". In: JRS, 90. 2000.1-17.

Shean, John F. "Hannibal's Mules: The Logistical Limitations of Hannibal's Army and the Battle of Cannae, 216 B.C.". In: HZAG, 45,2.pp. 159-87.


physiognomonia


johannes overbeck

De Grummond, N.T. Encyclopedia of the History of Classical Archaeology. London. 1996

Garcia y Garcia, L. Nova Bibliotheca Pompeiana. Roma. 1998.

Lullies, R. et Schiering,W.Mainz am Rhein. 1991.

Overbeck, Johannes Adolf.Pompeji. Leipzig. 1855

________________________.Geschichte der Griechischen Plastik, 2 Bände. Leipzig. 1857/58

________________________.Die archäologische Sammlung der Universität Leipzig. Leipzig. 1859

________________________.Die antiken Schriftquellen zur Geschichte der bildenden Künste bei den Griechen. Leipzig. 1868

________________________.Griechische Kunstmythologie, 3 Bände. Leipzig. 1871/89

________________________.Atlas. Leipzig. 1872/87


imagens dos cupidos

Alexander, Christine. "A Statue of Aphrodite". In:The Metropolitan Museum of Art Bulletin. 11,9. 1953. pp.241-51.

Bienkowski, P. "A flying Eros from the School of Praxiteles".In: JHS, Vol. 15, pp. 211-216, 1895.

Buffière, F. Eros Adolescent. La pédérastie dans la Grèce antique. Paris: Les Belles-Lettres, 1980.

Demos, Rafael. Eros. The Journal of Philosophy, Vol. 31, nº 13. (Jun. 21, 1943). Vpp. 337-345.

Mazel, J. As metamorfoses de Eros, O Amor na Grécia Antiga. São Paulo: Martins Fontes Editora Ltda, 1988.

Michaelis, Ad. "The Cnidian Aphrodite of Praxiteles". In: JHS,8. 1887. pp.324-55.

Richter. G. "A Bronze Eros". In: AJA, 47,4.1943.pp. 365-378.

Wlosok, A.. Amor and Cupid. In: HSCPh,79. 1975. pp. 165-179.


dinastia júlio-claudiana

bibliografias